Character development for scenes

Submitted by Campbell Vertesi on Fri, 2007-07-13 14:35.

Today is my only day off for the next week and a half, so I'm asking myself - what tasks do I need to get accomplished? 

The big one is character development for the Ash Lawn opera scenes.  The problem is, how much should one work on a character for this sort of presentation?  Obviously, with time so short there's no way I can build a fully fleshed out character with depth for all of these scenes.  So how far should I go?  Which characters get precedence?

Personally, I'm giving preference to Bartolo first, then Leporello, then Sulpice.   I give Bartolo first hit because I'll actually be performing the full character in the fall, so I need to get on that work anyways.  This means reading the Beaumarchais play, and asking serious questions about this guy and how his mind works.  Leporello is next, because it's a role I want to study in the next few years.  By no means is it an easy role to sing, but it's a fun one, and one that gets a lot of play.  Sulpice is last because when was the last time you saw Fille du Regiment?  It's hardly ever done, and when it is it's a more buffo bass in that role.

 I'm interested in comments here though - how much role prep should you do for a scene, or an excerpt?  How much would you do?

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