Campbell Vertesi Says:
Wed, 2008-05-14 15:37

I completely agree.  Particularly in the Mozart/Da Ponte operas, you get dramatic conterpoint between the music and the characters.  A character will fume and sing something slow, or will rage in legato phrases.  I think that has to come out in the stage life... but it's a strong argument that audiences in translation don't latch on to that as easily.

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